six pictures of the video and how they stick/ challenge conventions.

the classic band wide shot: 

This is one convention of the music video as this allows us to see the whole band.

Setting the Narrative:

This adheres to conventions as it sets the scene or setting in either a few shots or just one. We showed the setting to the narrative through several shots of people drinking, getting cigarettes out of packets and talking .

Close ups of performance:

as the picture and the name shot literally shots with close ups of the band performing.

Secondary Performance:

The secondary performance is important towards keeping the audience interested, in this case we had dancers performing a dance sequence that we shot form various angles and cut to create a dance sequence in the middle of the song.

Obscure shot that had no great importance to anything:

a shot that we placed in as a sort of reference to the 80's half feel to the music that we thought could be entertaining to some but had no great importance to the music video other than to say "look we've got a disco ball and lasers."is does however show that we know about the rule of thirds through the framing of the disco ball. 

Through Crowd Shot:

this was used as a sort of way to show that the band Lanmou was playing at the house party. We also showed that they where playing my using shots from the side of the band looking into the house party.

this shot was a track shot slightly low angle looking up onto them to give them godlike status. and make it clear that they where the star vehicle to this video. 

We decided to keep to the same feel of the video for all aspects of the advertising campaign as shown in the colour scheme and the rebellious nature of what is shown, mise en scene during the music video such as smoking and drinking amongst young teens and graffiti used for the album cover and poster.

one of the problems we encountered during the editing process was that we had messed up some of the shots and that large sections of the shots where unusable due to the footage being completely off time. we found whilst screening the raw footage that we had shots in which the framing was off for the most part, the set would cut off and so we could see lights exposed above the set.